John Keats (1795–1821)
How fever’d is the man, who cannot look
Upon his mortal days with temperate blood,
Who vexes all the leaves of his life’s book,
And robs his fair name of its maidenhood;
It is as if the rose should pluck herself,
On the ripe plum finger its misty bloom,
As if a Naiad, like a meddling elf,
Should darken her pure grot with muddy gloom:
But the rose leaves herself upon the briar,
For winds to kiss and grateful bees to feed,
And the ripe plum still wears its dim attire,
The undisturbed lake has crystal space;
Why then should man, teasing the world for grace,
Spoil his salvation for a fierce miscreed?
Sunday, October 2, 2011
On Fame
John Keats
Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gypsy,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whispered close,
Who thinks they scandal her who talk about her;
A very Gypsy is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Makeyour best bow to her and bid adieu,
Then, if she likes it, she will follow you.
Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gypsy,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whispered close,
Who thinks they scandal her who talk about her;
A very Gypsy is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Makeyour best bow to her and bid adieu,
Then, if she likes it, she will follow you.
Saturday, October 1, 2011
House With The Grey Gate
Tabish Khair
In my street there is a white house with a little grey gate
That is slightly off one hinge and always open.
An old woman sits on its porch and knits,
Looking up when the gate creaks with age or wind,
Expecting someone; though no one comes, nor has come for years.
An old man sometimes tidies up the faded garden
Where shrubbery has spread, refusing to be weeded out.
Ever since I moved here I have seen this little white house-
With the old man and the old woman and an old pattern of life-
Refusing to be weeded out from this skyscraping street;
Where two people had grown roots, once, scattered seeds,
And now, with a hope stubborn as weeds,
Still peer through curtained windows when the gate creaks.
In my street there is a white house with a little grey gate
That is slightly off one hinge and always open.
An old woman sits on its porch and knits,
Looking up when the gate creaks with age or wind,
Expecting someone; though no one comes, nor has come for years.
An old man sometimes tidies up the faded garden
Where shrubbery has spread, refusing to be weeded out.
Ever since I moved here I have seen this little white house-
With the old man and the old woman and an old pattern of life-
Refusing to be weeded out from this skyscraping street;
Where two people had grown roots, once, scattered seeds,
And now, with a hope stubborn as weeds,
Still peer through curtained windows when the gate creaks.
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