| COLONEL FAZACKERLEY By Charles Causley Colonel Fazackerley Butterworth-Toast Bought an old castle complete with a ghost, But someone or other forgot to declare To Colonel Fazak that the spectre was there. On the very first evening, while waiting to dine, The Colonel was taking a fine sherry wine, When the ghost, with a furious flash and a flare, Shot out of the chimney and shivered, 'Beware!' Colonel Fazackerley put down his glass And said, 'My dear fellow, that's really first class! I just can't conceive how you do it at all. I imagine you're going to a Fancy Dress Ball?' At this, the dread ghost made a withering cry. Said the Colonel (his monocle firm in his eye), 'Now just how you do it, I wish I could think. Do sit down and tell me, and please have a drink.' The ghost in his phosphorous cloak gave a roar And floated about between ceiling and floor. He walked through a wall and returned through a pane And backed up the chimney and came down again. Said the Colonel, 'With laughter I'm feeling quite weak!' (As trickles of merriment ran down his cheek). 'My house-warming party I hope you won't spurn. You MUST say you'll come and you'll give us a turn!' At this, the poor spectre - quite out of his wits - Proceeded to shake himself almost to bits. He rattled his chains and he clattered his bones And he filled the whole castle with mumbles and moans. But Colonel Fazackerley, just as before, Was simply delighted and called out, 'Encore!' At which the ghost vanished, his efforts in vain, And never was seen at the castle again. 'Oh dear, what a pity!' said Colonel Fazak. 'I don't know his name, so I can't call him back.' And then with a smile that was hard to define, Colonel Fazackerley went in to dine. |
Friday, October 23, 2015
Tuesday, August 27, 2013
To a Skylark
By Percy Bysshe Shelley
(1803-1822)
(1803-1822)
Hail to thee, blithe spirit!
Bird thou never wert-
That from heaven or near it
Pourest thy full heart
In profuse strains of unpremeditated art.
Higher still and higher
From the earth thou springest,
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.
In the golden light'ning
Of the sunken sun,
O'er which clouds are bright'ning,
Thou dost float and run,
Like an unbodied joy whose race is just begun.
The pale purple even
Melts around thy flight;
Like a star of heaven,
In the broad daylight
Thou art unseen, but yet I hear thy shrill delight-
Keen as are the arrows
Of that silver sphere
Whose intense lamp narrows
In the white dawn clear,
Until we hardly see, we feel that it is there.
All the earth and air
With thy voice is loud,
As when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflow'd.
What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody:-
Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:
Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:
Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view:
Like a rose embower'd
In its own green leaves,
By warm winds deflower'd,
Till the scent it gives
Makes faint with too much sweet those heavy-wingèd thieves.
Sound of vernal showers
On the twinkling grass,
Rain-awaken'd flowers-
All that ever was
Joyous and clear and fresh-thy music doth surpass.
Teach us, sprite or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus hymeneal,
Or triumphal chant,
Match'd with thine would be all
But an empty vaunt-
A thin wherein we feel there is some hidden want.
What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?
With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest, but ne'er knew love's sad satiety.
Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?
We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
Yet, if we could scorn
Hate and pride and fear,
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
Teach me half the gladness
That thy brain must know;
Such harmonious madness
From my lips would flow,
The world should listen then, as I am listening now.
Bird thou never wert-
That from heaven or near it
Pourest thy full heart
In profuse strains of unpremeditated art.
Higher still and higher
From the earth thou springest,
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.
In the golden light'ning
Of the sunken sun,
O'er which clouds are bright'ning,
Thou dost float and run,
Like an unbodied joy whose race is just begun.
The pale purple even
Melts around thy flight;
Like a star of heaven,
In the broad daylight
Thou art unseen, but yet I hear thy shrill delight-
Keen as are the arrows
Of that silver sphere
Whose intense lamp narrows
In the white dawn clear,
Until we hardly see, we feel that it is there.
All the earth and air
With thy voice is loud,
As when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflow'd.
What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody:-
Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:
Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:
Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view:
Like a rose embower'd
In its own green leaves,
By warm winds deflower'd,
Till the scent it gives
Makes faint with too much sweet those heavy-wingèd thieves.
Sound of vernal showers
On the twinkling grass,
Rain-awaken'd flowers-
All that ever was
Joyous and clear and fresh-thy music doth surpass.
Teach us, sprite or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus hymeneal,
Or triumphal chant,
Match'd with thine would be all
But an empty vaunt-
A thin wherein we feel there is some hidden want.
What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?
With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest, but ne'er knew love's sad satiety.
Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?
We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
Yet, if we could scorn
Hate and pride and fear,
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
Teach me half the gladness
That thy brain must know;
Such harmonious madness
From my lips would flow,
The world should listen then, as I am listening now.
Friday, March 16, 2012
The Unknown Citizen
W. H. Auden
(To JS/07 M 378
This Marble Monument
Is Erected by the State)
He was found by the Bureau of Statistics to be
One against whom there was no official complaint,
And all the reports on his conduct agree
That, in the modern sense of an old-fashioned word, he was a
saint,
For in everything he did he served the Greater Community.
Except for the War till the day he retired
He worked in a factory and never got fired,
But satisfied his employers, Fudge Motors Inc.
Yet he wasn't a scab or odd in his views,
For his Union reports that he paid his dues,
(Our report on his Union shows it was sound)
And our Social Psychology workers found
That he was popular with his mates and liked a drink.
The Press are convinced that he bought a paper every day
And that his reactions to advertisements were normal in every way.
Policies taken out in his name prove that he was fully insured,
And his Health-card shows he was once in hospital but left it cured.
Both Producers Research and High-Grade Living declare
He was fully sensible to the advantages of the Instalment Plan
And had everything necessary to the Modern Man,
A phonograph, a radio, a car and a frigidaire.
Our researchers into Public Opinion are content
That he held the proper opinions for the time of year;
When there was peace, he was for peace: when there was war, he went.
He was married and added five children to the population,
Which our Eugenist says was the right number for a parent of his
generation.
And our teachers report that he never interfered with their
education.
Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.
(To JS/07 M 378
This Marble Monument
Is Erected by the State)
He was found by the Bureau of Statistics to be
One against whom there was no official complaint,
And all the reports on his conduct agree
That, in the modern sense of an old-fashioned word, he was a
saint,
For in everything he did he served the Greater Community.
Except for the War till the day he retired
He worked in a factory and never got fired,
But satisfied his employers, Fudge Motors Inc.
Yet he wasn't a scab or odd in his views,
For his Union reports that he paid his dues,
(Our report on his Union shows it was sound)
And our Social Psychology workers found
That he was popular with his mates and liked a drink.
The Press are convinced that he bought a paper every day
And that his reactions to advertisements were normal in every way.
Policies taken out in his name prove that he was fully insured,
And his Health-card shows he was once in hospital but left it cured.
Both Producers Research and High-Grade Living declare
He was fully sensible to the advantages of the Instalment Plan
And had everything necessary to the Modern Man,
A phonograph, a radio, a car and a frigidaire.
Our researchers into Public Opinion are content
That he held the proper opinions for the time of year;
When there was peace, he was for peace: when there was war, he went.
He was married and added five children to the population,
Which our Eugenist says was the right number for a parent of his
generation.
And our teachers report that he never interfered with their
education.
Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.
Sunday, October 2, 2011
On fame II
John Keats (1795–1821)
How fever’d is the man, who cannot look
Upon his mortal days with temperate blood,
Who vexes all the leaves of his life’s book,
And robs his fair name of its maidenhood;
It is as if the rose should pluck herself,
On the ripe plum finger its misty bloom,
As if a Naiad, like a meddling elf,
Should darken her pure grot with muddy gloom:
But the rose leaves herself upon the briar,
For winds to kiss and grateful bees to feed,
And the ripe plum still wears its dim attire,
The undisturbed lake has crystal space;
Why then should man, teasing the world for grace,
Spoil his salvation for a fierce miscreed?
How fever’d is the man, who cannot look
Upon his mortal days with temperate blood,
Who vexes all the leaves of his life’s book,
And robs his fair name of its maidenhood;
It is as if the rose should pluck herself,
On the ripe plum finger its misty bloom,
As if a Naiad, like a meddling elf,
Should darken her pure grot with muddy gloom:
But the rose leaves herself upon the briar,
For winds to kiss and grateful bees to feed,
And the ripe plum still wears its dim attire,
The undisturbed lake has crystal space;
Why then should man, teasing the world for grace,
Spoil his salvation for a fierce miscreed?
On Fame
John Keats
Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gypsy,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whispered close,
Who thinks they scandal her who talk about her;
A very Gypsy is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Makeyour best bow to her and bid adieu,
Then, if she likes it, she will follow you.
Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gypsy,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whispered close,
Who thinks they scandal her who talk about her;
A very Gypsy is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Makeyour best bow to her and bid adieu,
Then, if she likes it, she will follow you.
Saturday, October 1, 2011
House With The Grey Gate
Tabish Khair
In my street there is a white house with a little grey gate
That is slightly off one hinge and always open.
An old woman sits on its porch and knits,
Looking up when the gate creaks with age or wind,
Expecting someone; though no one comes, nor has come for years.
An old man sometimes tidies up the faded garden
Where shrubbery has spread, refusing to be weeded out.
Ever since I moved here I have seen this little white house-
With the old man and the old woman and an old pattern of life-
Refusing to be weeded out from this skyscraping street;
Where two people had grown roots, once, scattered seeds,
And now, with a hope stubborn as weeds,
Still peer through curtained windows when the gate creaks.
In my street there is a white house with a little grey gate
That is slightly off one hinge and always open.
An old woman sits on its porch and knits,
Looking up when the gate creaks with age or wind,
Expecting someone; though no one comes, nor has come for years.
An old man sometimes tidies up the faded garden
Where shrubbery has spread, refusing to be weeded out.
Ever since I moved here I have seen this little white house-
With the old man and the old woman and an old pattern of life-
Refusing to be weeded out from this skyscraping street;
Where two people had grown roots, once, scattered seeds,
And now, with a hope stubborn as weeds,
Still peer through curtained windows when the gate creaks.
Sunday, September 18, 2011
Palanquin Bearers
Sarojini Naidu
Lightly, O lightly we bear her along,
She sways like a flower in the wind of our song;
She skims like a bird on the foam of a stream,
She floats like a laugh from the lips of a dream.
Gaily, O gaily we glide and we sing,
We bear her along like a pearl on a string.
Softly, O softly we bear her along,
She hangs like a star in the dew of our song;
She springs like a beam on the brow of the tide,
She falls like a tear from the eyes of a bride.
Lightly, O lightly we glide and we sing,
We bear her along like a pearl on a string.
Lightly, O lightly we bear her along,
She sways like a flower in the wind of our song;
She skims like a bird on the foam of a stream,
She floats like a laugh from the lips of a dream.
Gaily, O gaily we glide and we sing,
We bear her along like a pearl on a string.
Softly, O softly we bear her along,
She hangs like a star in the dew of our song;
She springs like a beam on the brow of the tide,
She falls like a tear from the eyes of a bride.
Lightly, O lightly we glide and we sing,
We bear her along like a pearl on a string.
Ozymandias
P. B. Shelley
I met a traveller from an antique land
Who said: `Two vast and trunkless legs of stone
Stand in the desert... Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear
"My name is Ozymandias, king of kings;
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'
I met a traveller from an antique land
Who said: `Two vast and trunkless legs of stone
Stand in the desert... Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear
"My name is Ozymandias, king of kings;
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'
Little drops of water
Julia Carney
1845
Little drops of water,
Little grains of sand,
Make the mighty ocean
And the beauteous land.
And the little moments,
Humble though they may be,
Make the mighty ages
Of eternity.
Little deeds of kindness,
Little words of love,
Mour earth an Eden,
Like the heaven above.
So our little errors
Lead the soul away,
From the paths of virtue
Far in sin to stray.
Little seeds of mercy
Sown by youthful hands,
Grow to bless the nations
Far in heathen lands.
Glory then for everbe
To God on high,
Beautiful and loving,
To eternity.
1845
Little drops of water,
Little grains of sand,
Make the mighty ocean
And the beauteous land.
And the little moments,
Humble though they may be,
Make the mighty ages
Of eternity.
Little deeds of kindness,
Little words of love,
Mour earth an Eden,
Like the heaven above.
So our little errors
Lead the soul away,
From the paths of virtue
Far in sin to stray.
Little seeds of mercy
Sown by youthful hands,
Grow to bless the nations
Far in heathen lands.
Glory then for everbe
To God on high,
Beautiful and loving,
To eternity.
The Ballad of Semmerwater
Sir William Watson
Deep asleep, deep asleep, Deep asleep it lies,
The still lake of Semmerwater Under the still skies.
And many a fathom, many a fathom, Many a fathom below,
In a king's tower and a queen's bower The fishes come and go.
Once there stood by Semmerwater
A mickle town and tall;
King's tower and queen's bower
And the wakeman on the wall.
Came a beggar halt and sore,
"I faint for lack of bread!"
King's tower and queen's bower
Cast him forth unfed.
He knock'd at the door of the eller's cot,
The eller's cot in the dale.
They gave him of their oatcake,
They gave him of their ale.
He has cursed aloud that city proud,
He has cursed it in its pride;
He has cursed it into Semmerwater
Down the brant hillside;
He has cursed it into Semmerwater
There to bide.
King's tower and queen's bower,
And a mickle town and tall;
By glimmer of scale and gleam of fin,
Folk have seen them all.
King's tower and queen's bower,
And weed and reed in the gloom;
And a lost city in Semmerweater,
Deep asleep till Doom.
Deep asleep, deep asleep, Deep asleep it lies,
The still lake of Semmerwater Under the still skies.
And many a fathom, many a fathom, Many a fathom below,
In a king's tower and a queen's bower The fishes come and go.
Once there stood by Semmerwater
A mickle town and tall;
King's tower and queen's bower
And the wakeman on the wall.
Came a beggar halt and sore,
"I faint for lack of bread!"
King's tower and queen's bower
Cast him forth unfed.
He knock'd at the door of the eller's cot,
The eller's cot in the dale.
They gave him of their oatcake,
They gave him of their ale.
He has cursed aloud that city proud,
He has cursed it in its pride;
He has cursed it into Semmerwater
Down the brant hillside;
He has cursed it into Semmerwater
There to bide.
King's tower and queen's bower,
And a mickle town and tall;
By glimmer of scale and gleam of fin,
Folk have seen them all.
King's tower and queen's bower,
And weed and reed in the gloom;
And a lost city in Semmerweater,
Deep asleep till Doom.
Home They Brought Her Warrior Dead
Alfred Lord Tennyson
Home they brought her warrior dead;
She nor swooned, nor uttered cry,
All her maidens, watching, said,
'She must weep or she will die.'
Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved
Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.
Rose a nurse of ninety years,
Set his child upon her knee,
Like summer tempest came her tears
'Sweet my child, I live for thee.'
Home they brought her warrior dead;
She nor swooned, nor uttered cry,
All her maidens, watching, said,
'She must weep or she will die.'
Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved
Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.
Rose a nurse of ninety years,
Set his child upon her knee,
Like summer tempest came her tears
'Sweet my child, I live for thee.'
On killing a tree
Gieve Patel
It takes much time to kill a tree,
Not a simple jab of the knife
Can do it.
It has grown
Slowly consuming the earth,
Rising out if it, feeding
Upon its crust, absorbing
Years of sunlight, air, water,
And out of its leprous hide
Sprouting leaves.
So hack and chop
But this alone won't do it.
Not so much pain will do it.
The bleeding bark will heal
And from close to the ground
Will rise curled green twigs,
Miniature boughs
Which if unchecked will expand again
To former size.
No,
The root is to be pulled out
Out of the anchoring earth;
It is to be roped, tied,
And pulled out-snapped out
Or pulled out entirely,
Out from the earth-cave,
And the strength of the tree exposed,
The source, white and wet,
The most sensitive, hidden
For years inside the earth.
Then the matter
Of scorching and choking
In sun and air,
Browning, hardening,
Twisting, withering,
And then it is done.
It takes much time to kill a tree,
Not a simple jab of the knife
Can do it.
It has grown
Slowly consuming the earth,
Rising out if it, feeding
Upon its crust, absorbing
Years of sunlight, air, water,
And out of its leprous hide
Sprouting leaves.
So hack and chop
But this alone won't do it.
Not so much pain will do it.
The bleeding bark will heal
And from close to the ground
Will rise curled green twigs,
Miniature boughs
Which if unchecked will expand again
To former size.
No,
The root is to be pulled out
Out of the anchoring earth;
It is to be roped, tied,
And pulled out-snapped out
Or pulled out entirely,
Out from the earth-cave,
And the strength of the tree exposed,
The source, white and wet,
The most sensitive, hidden
For years inside the earth.
Then the matter
Of scorching and choking
In sun and air,
Browning, hardening,
Twisting, withering,
And then it is done.
A Song
William Shakespear
Amiens sings:
UNDER the greenwood tree,
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither
Here shall we see
No enemy
But winter and rough weather.
Who doth ambition shun,
And loves to live i' the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall we see
No enemy
But winter and rough weather.
Jaques replies:
If it do come to pass
That any man turn ass,
Leaving his wealth and ease
A stubborn will to please,
Ducdamè, ducdamè, ducdamè:
Here shall we see
Gross fools as he,
And he comes to me.
Amiens sings:
UNDER the greenwood tree,
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither
Here shall we see
No enemy
But winter and rough weather.
Who doth ambition shun,
And loves to live i' the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall we see
No enemy
But winter and rough weather.
Jaques replies:
If it do come to pass
That any man turn ass,
Leaving his wealth and ease
A stubborn will to please,
Ducdamè, ducdamè, ducdamè:
Here shall we see
Gross fools as he,
And he comes to me.
Stopping By Woods on a Snowy Evening
Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Solitude
Lewis Carroll
1853
I love the stillness of the wood,
I love the music of the rill,
I love to couch in pensive mood
Upon some silent hill.
Scarce heard, beneath yon arching trees,
The silver-crested ripples pass;
And, like a mimic brook, the breeze
Whispers among the grass.
Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break in to mar the holy peace
Of this great solitude.
Here may the silent tears I weep,
Lull the vexed spirit into rest,
As infants sob themselves to sleep
Upon a mother's breast.
But when the bitter hour is gone,
And the keen throbbing pangs are still,
Oh, sweetest then to couch alone
Upon some silent hill!
To live in joys that once have been,
To put the cold world out of sight,
And deck life's drear and barren scene
With hues of rainbow-light.
For what to man the gift of breath,
If sorrow be his lot below;
If all the day that ends in death
Be dark with clouds of woe?
Shall the poor transport of an hour
Repay long years of sore distress;
The fragrance of a lonely flower
Make glad the wilderness?
Ye golden hours of Life's young spring,
Of innocence, of love and truth!
Bright, beyond all imagining,
Thou fairy-dream of youth!
I'd give all wealth that years have piled,
The slow result of Life's decay,
To be once more a little child
For one bright summer-day.
1853
I love the stillness of the wood,
I love the music of the rill,
I love to couch in pensive mood
Upon some silent hill.
Scarce heard, beneath yon arching trees,
The silver-crested ripples pass;
And, like a mimic brook, the breeze
Whispers among the grass.
Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break in to mar the holy peace
Of this great solitude.
Here may the silent tears I weep,
Lull the vexed spirit into rest,
As infants sob themselves to sleep
Upon a mother's breast.
But when the bitter hour is gone,
And the keen throbbing pangs are still,
Oh, sweetest then to couch alone
Upon some silent hill!
To live in joys that once have been,
To put the cold world out of sight,
And deck life's drear and barren scene
With hues of rainbow-light.
For what to man the gift of breath,
If sorrow be his lot below;
If all the day that ends in death
Be dark with clouds of woe?
Shall the poor transport of an hour
Repay long years of sore distress;
The fragrance of a lonely flower
Make glad the wilderness?
Ye golden hours of Life's young spring,
Of innocence, of love and truth!
Bright, beyond all imagining,
Thou fairy-dream of youth!
I'd give all wealth that years have piled,
The slow result of Life's decay,
To be once more a little child
For one bright summer-day.
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